Strangers No More: BYU Magazine Article on Refugees in Germany

My alma mater, Brigham Young University, solicited a piece from me for their alumni magazine in which I was to describe the nature of volunteer refugee work in central Germany. I suggested to them this piece, from right here on the blog, and they agreed.

When BYU Magazine agrees, brace. They hold nothing back.

They turned my homey post into a visually striking work of top notch journalism. I could not be more pleased. Thank you so much Peter Gardner and Curtis Isaak, for your excellent editing and lay out.

Please click right here to find their finished product.

What pleases me the most about this, is that there is interest for such a piece, and although the typical nano-length of the news cycle is over, the interest in the story (which  is really just starting) seems to be increasing. People are looking to get behind the thick, gray wall of what is typically portrayed in national media. I think we are weary from (and wary about) the angles being propped up, which might not be entirely representative of the day-to-day, on-the-ground story. Maybe you, too, want to read more personal, intimate stories like the one BYU published. If you are, it makes me hopeful. And it drives my writing.

Every day, I field messages sent from readers of my posts on my social media platforms (Instagram, FB, Twitter), who thank me for pulling back the curtain to an otherwise shrouded reality for them. I might grow obnoxious, posting every day (and sometimes more than once a day) on the stories that are changing my own life story. But you’re not hearing me apologize. These stories must be told.

The volunteers with whom I work know that the “refugee crisis” is a distinctly human and personal saga. It’s the story of Ahmad, Amina, Aeham, Mohammad, Ehsan, Akbar, Nada, Yalda, Fatema, Elias, Maiwand, Mahida. It’s the tragic/heroic tale of fathers and daughters, mothers and sons, engineering students and artisans, concert pianists and cobblers, farmers, physicians, Yazidis, Muslims, and yes, some Christians.

We know that, if history is told only in the abstract — with euphemisms, sterile headlines, and nameless numbers — then we will remain insulated. Unmoved like that, we will not engage. Unengaged, everyone loses.

All this is the impetus behind our non-profit, Their Story is Our Story: Giving Voice to Refugees (or TSOS). Led by my friend Trisha Leimer, and driven by Twila Bird, Elizabeth Benson Thayer, Lindsay Allen Silsby, Garret and Morgan Gibbons and myself, TSOS is busy at work, documenting the stories of the distressed, displaced, and often disoriented. We’ve been in camps in Greece. We’ve gathered in shelters in Germany. We’ve sat in parks and eaten kebabs and walked through forests, filmed hours and hours of footage, taken thousands of photographs, completed sketches and paintings, bent into one another’s arms in shared tears and are writing the stories. We hope you’ll follow our growth, await each story as we complete and share them, and learn along with us.

Final note: If you have specific questions you would like to ask regarding our non-profit, or the nature of refugee relief in general, or perhaps the journey of a refugee, please feel free to ask them here. If I can’t answer them, I have a global circle of informed volunteers, as well as an ever-growing community of refugee friends. They might be willing to write guests posts in response to your questions.

 

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© Melissa Dalton-Bradford and melissadaltonbradford.wordpress.com, 2016.  This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 United States License. . . which means, as long you’re not selling it, you’re welcome to share, but please remember to give me a link and mention my name.

Their Story is Our Story: Giving Refugees a Voice

With our friends at Limburg refugee camp, central Germany

With our friends at Limburg refugee camp

How do a hard-working, visionary refugee liaison, an award-winning videographer, an award-winning photographer, award-winning portrait painter, and an award-winning author who have never all met each other,  (they live in four different time zones), find one another and combine their gifts to bless the displaced, distressed and desperate?

Divine choreography.

And what are the results?

A great deal of 3:00 a.m. cross-global texting. Plus some moments of humbled amazement.

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Their Story is Our Story: Giving Voice to Refugees

The five of us involved in this project have watched as our connections––simply too far-flung to happen without reliable WIFI, and too far-fetched to happen without a steady dose of heavenly intervention –– have seemed to slide into place. Really, it’s been like liquid lightning. The electricity has flowed and flowed.

Trisha with Leyla, whose story will send thunder through your bones.

Trisha with Leyla, whose story, which we will soon share, will send thunder through your bones. She is a survivor multiple times over.

So let me first hand over the page to Trisha, my friend and inspiration in doing refugee work here in Germany. She can explain to you how Their Story is Our Story (TSOS) evolved.

And then I will share three brief refugee profiles with you. They are but a foretaste of what TSOS is about.

Finally, I’d like you to meet the team, including Garrett Gibbons, Elizabeth Benson Thayer, and Lindsay Allen Silsby, who in under five minutes will surely ignite a desire in you to lean in, step forward, and reach out with compassion to our refugee sisters and brothers.

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Trisha recently wrote the following to her circle of friends who have been involved in refugee work here in Germany:

Some of you might be interested in a project that has fallen from the cosmos and into my life.

A few weeks ago, I received an email from a dear American artist friend who used to live here in Frankfurt, and on the same day a message was forwarded to me from a complete stranger in London who does high-end portraits. Both of these women have been feeling strong impressions to put their talents to work for the refugees here in Europe. Meanwhile, I had been having strong impressions about putting together a media project to share these beautiful people and their incredible stories with others. I am certain this was not by chance that the Spirit was working on all of us at the same time…it is very simply Divine Choreography!

In the two weeks since then, things have just fallen into place. A group of five people with amazing gifts has formed and we are planning for them to travel from Seattle, Washington, northern Utah, and from London to sketch, photograph and film refugees here in the Frankfurt area and then, hopefully, in the camps in Greece. Some of the stories we hope to tell are people you may know. Adib and his son, Hasan. Tahmina, Daniel, Hangama and their family. Others we’ve grown so close to, whose stories inspire and

Our plan is to create first a video and then a book and eventually a traveling exhibit. We want to tell these stories and change hearts! I feel so strongly the hand of Diety in this project! As you each have felt, I feel the special attention our Father in Heaven is paying these people at this time. And I know that this project is His project.

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Now, for three brief profiles of people who have become far more than “refugees” to us. In fact, we don’t like the word “refugee” very much, as it generalizes (and neutralizes) the poignancy and sacredness of each human story.

ADIB

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Adib, a true gentleman.

Adib, a true gentleman.

Adib is a Palestinian Syrian from Damascus, whose thriving business as a master mason and ceramic tile layer was laid to rubble when war ravaged his world. With his son and business partner, Hasan, Adib made luxurious baths and kitchens in his home country, but most of them, like his own home, are now no more than a crater. Father and son made the perilous winter journey to Germany where both have been living for months in a tented barrack outside the town of Limburg. In spite of having lost virtually every material thing, Adib seems to maintain a perpetually sunny outlook. He is often found sitting with his head bent over his German lesson book, piecing together this new language the way he used to place tiles; meticulously, with patience, and always with the end result, integration, in mind. With these new reading glasses which he was given by a camp volunteer, Adib looks toward a bright and peaceful future.

VAHID

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Elizabeth Benson Thayer's sketch of Vahid

Elizabeth Benson Thayer’s sketch of Vahid

Vahid is Iranian, and arrived in Germany with the first wave of refugees in the early autumn of 2015. He was barely in his 20s. That journey meant leaving behind everything that was familiar and of value to him, including his home with his entire extended family and a mother he adores, his culture with its poetic language and fragrant food, his lifelong friends, and the plans they’d all made for the future. All this to launch into the complete unknown and in order to escape encroaching religious persecution and civil unrest. Vahid is a musician, and finds refuge in composing as well as singing while accompanying himself on a guitar. But you can’t easily make music in a cramped refugee camp. And of course among the few things he could carry over his shoulder, a guitar was not included. Already, he’s sung publicly in German, one of the many steps he’s taking toward integration in this new world.

TAHMINA

Daniel, Tahmina and Hangama Ahmadi

Daniel, Tahmina and Hangama Ahmadi

Tahmina is Afghani, the eldest of four siblings, and made it to Germany almost entirely by foot. Like her younger brother Daniel, who is a whizz at chess (and beats every last refugee camp volunteer who challenges him to a set), Tahmina is obviously bright and ambitious. Her English reflects a solid education and an eager mind. She hesitates to give too many details of the perilous trek from her homeland to Europe, (“So dangerous. So frightening. So sad,” she says), and doesn’t dwell on her innumerable losses. No stranger to hazard, Tahmina lived all her eighteen years with war and terror as a daily backdrop, since Afghanistan has been the stage for constant insurrections, coups, unrest, and destruction for 35 years. With Hangama, her younger sister, and Muri, her baby brother, she and her parents have one hope: to escape fear and live together in peace.

Please watch. Please share.

 

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© Melissa Dalton-Bradford and melissadaltonbradford.wordpress.com, 2016.  This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 United States License. . . which means, as long you’re not selling it, you’re welcome to share, but please remember to give me a link and mention my name.